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Still, it seems like a step forward for remote control cars and like this could lead to something bigger and better down the road. For now, it’s a novelty that can sometimes feel like the best times come from using it to explore your home.

It’s a good game which is why reviewing has been sort of a confusing experience. It may be marred in some baffling design decisions, but at its core is solid and the issues could be ironed out if the developers continue to make Crash games. Crash Bandicoot 4: It’s About Time is a solid platformer and a continuation of a series whose vibe and design still hasn’t been recreated in other titles.

WWE 2K Battlegrounds is striking for its simplicity. It is the game equivalent of a popcorn flick. This is something goofy, simple, affordable, and likely intended to be enjoyed in brief bursts. The Campaign and Battleground Challenge are each presented in bite-sized chunks. The various matches never tend to go over five minutes. Everything is quick and breezy, with systems that put everyone on equal footing. It’s not incredibly deep, the characters don’t always look great, and all the stuff with price-tags on it can be daunting, but it’s surprisingly entertaining.

One of the things that probably won’t be fixed beyond the next-gen version are the graphics. The lighting and some of the effects are great. Character models really invite you into the uncanny valley. I mean, they look realistic, until you look at things like the glassy eyes or plastic-y fabrics and skin. Then it just gets a little off-putting.

Ghost of Tsushima is a gorgeous game that has Sucker Punch taking its shot at telling its own samurai story. The combat feels great; and you have a lot of freedom when it comes to building up Jin. It’s simply a stunning way to say goodbye to the PS4.

There is fun to be had with Paper Mario: The Origami King. That much is certain. It is a beautiful game with delightful music and clever moments. Its boss fights especially do a good job of making you feel smart. But, while it looks like a Paper Mario game, it doesn’t feel like its predecessors and abandons more of the RPG elements that originally made this series so special.

It is a bookend to its predecessor. People will be talking about The Last of Us Part II for years to come. They’ll be analyzing the story, if it needed to go to the lengths that it does, and considering the effect its world-building, gameplay mechanics, and accessibility options will have for years to come.

Resident Evil 3 is a historically important game and its story is interesting. Had it come before Resident Evil 2, perhaps I would have been fonder of it. But as is, it feels like it doesn’t do as much or go as far as its predecessor, an issue exacerbated by the removal of some of its challenging and unique elements. It is worth playing, but people should enter with tempered expectations.

Final Fantasy VII Remake reveres its source material, but isn’t afraid to get sillier, weirder, and even more earnest and emotional. It’s a classic, old school JRPG from the 90s, reimagined as a bloated, contemporary triple-a video game. It’s also, in a way, a significant meta text, but you’ll have to dive into that aspect on your own. Final Fantasy VII Remake is going to be weird in so many different ways for so many different people, and for that reason alone I have to give it an enthusiastic recommendation.

Animal Crossing: New Horizons could end up being the most important game of 2020. It certainly will be one of its best. It will be the coping mechanism that helps people both recover from and overcome the dark things around them.